Coronation March

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Tchaikovsky's Coronation March (Коронационный марш) in D major (TH 50 ; ČW 47) [1], also known as Festival March (Торжественный марш), was written in March 1883 for the coronation celebrations of the Russian Emperor Alexander III.

Contents

Instrumentation

The March is scored for an orchestra consisting of piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (in A), 2 bassoons + 4 horns (F), 2 cornets (in A), 2 trumpets (in D), 3 trombones, tuba + timpani, triangle, cymbals, bass drum + violins I, violins II, violas, cellos, and double basses.

Duration

There is one movement: Andante molto maestoso (D major, 125 bars), lasting around 5 to 7 minutes in performance.

Composition

The March was commissioned by the Mayor of the City of Moscow for a public performance in Sokolniky Park, at the coronation celebrations of Alexander III in May 1883. Tchaikovsky received the commission while in Paris, where he was busy with the instrumentation of his opera Mazepa, and he protested his great displeasure at being forced to interrupt this work. However, he began composition on 5/17 March, according to the date in the notebook containing sketches for the march and the cantata Moscow, which had been separately commissioned.

On 9/21 March 1883 Tchaikovsky he wrote to Nadezhda von Meck: "My plans have been upset by two unexpected and very burdensome tasks foisted upon me. The city of Moscow have commissioned from me a ceremonial march to be played at the festivities which are to be organized for the Sovereign at the Sokolniky... Hardly had I managed to reconcile myself to the thought that I must tear myself away from the opera for the march, when suddenly I received a letter from the festival committee about a cantata [2]. Both works, especially the cantata, have to be ready very soon, a prospect which fills me with dread" [3]. Later he reported the same to Sofya Malozemova [4], Sergey Taneyev [5], and Aleksey Sofronov [6].

On 7/19 March, he told Pyotr Jurgenson that the march should be ready within ten days. "This goes very much against my instincts, because I am generally not disposed to composition, and what's more, I have had to set aside my poor unfinished opera for this" [7].

In another letter to Jurgenson of 12/24 March he reported that: "I am now simultaneously writing the March and the cantata... My days are spent as follows: in the morning until 12 o'clock I write the march; after a stroll, from 2.30 to 6.30 I write the cantata... I will send you the March, as you wanted, with an arrangement for 2 hands" [8].

By around 21 March/2 April both the cantata Moscow and the Coronation March had been completed in sketch form, and Tchaikovsky had commenced the orchestration of both works [9].

On 23 March/4 April Tchaikovsky told Pyotr Jurgenson: "I have finished the march, and will look through it once more and send it to you in a few days" [10]. Both manuscripts were sent to Pyotr Jurgenson on 26 March/7 April [11].

Arrangements

Tchaikovsky's arrangement for solo piano was begun after 20 March/1 April, and completed by 26 March/7 April 1883 [12].

Performances

The Coronation March was performed for the first time on 23 May/4 June 1883 in the Sokolniky Park in (Moscow), conducted by Sergey Taneyev. In Saint Petersburg on 29 December 1884/10 January 1885 it was performed under the title Festival March, in the fourth symphony concert of the Russian Musical Society, conducted by Hans von Bülow.

Tchaikovsky also conducted the March at the opening concert of the Carnegie Music Hall in New York, on 23 April/5 May 1891.

The London première appears to have taken place after the composer's death: at an Organ School student concert on 29 November/11 December 1894, conducted by George J. Bennett.

Publication

The full score and orchestral parts of the March, Tchaikovsky's arrangement for piano two hands, and Eduard Langer's arrangement for piano duet were published in Moscow by Pyotr Jurgenson in 1883.

The full score and Tchaikovsky's solo piano arrangement of the Coronation March were published in volumes 25 (1961) and 50Б (1965) respectively of the composer's Complete Collected Works, edited by Aleksandr Nikolayev and Irina Iordan respectively. The statements of the anthem 'God Save the Tsar' were replaced with other music, with the original text confined to footnotes.

Autographs

Tchaikovsky's manuscript full score is preserved in the Glinka National Museum Consortium of Musical Culture in Moscow (Ф. 88, No. 205). The score of his arrangement for solo piano has been lost.

Related Works

See also Moscow (cantata).

The Coronation March includes quotations from the Danish royal anthem 'Kong Kristian stod ved køjen mast', reflecting the Danish origins of the Empress Mariya Fyodorovna (from bars 27, 90), and from the Russian anthem 'God Save the Tsar' (Боже Цапя храни), composed in 1833 by Aleksey Lvov (from bars 91 and 110).

Recordings

See: Coronation March: Recordings

Notes and References

  1. Entitled 'Festival Coronation March' in ČW  [back]
  2. The cantata Moscow [back]
  3. Letter 2236 to Nadezhda von Meck, 9/21 March 1883 [back]
  4. Letter 2243 to Sofya Malozemova, 21 March/2 April 1883 [back]
  5. Letter 2253 to Sergey Taneyev, 1/13–3/15 April 1883 [back]
  6. Letter 2237 to Aleksey Sofronov, 11/23 March 1883 [back]
  7. Letter 2235 to Pyotr Jurgenson, 7/19 March 1883 [back]
  8. Letter 2239 to Pyotr Jurgenson, 12/24 March 1883 [back]
  9. Letter 2244 to Nadezhda von Meck, 21 March/2 April 1883 [back]
  10. Letter 2245 to Pyotr Jurgenson, 23 March/4 April 1883 [back]
  11. See letters 2248 and 2250 to Pyotr Jurgenson, 25 March/6 April and 26 March/7 April 1883 [back]
  12. See Letter 2242, 20 March/1 April 1883, and Letter 2250, 26 March/7 April 1883, to Pyotr Jurgenson  [back]